What instrument was called the perfect instrument for rococo music?
Enlightenment Humanities, Study Guide
Exam I The order of the questions on the exam WILL NOT necessarily match the order on this guide
Part One, multiple choice, based on the McGraw-Hill Enlightenment supplement (33 questions) for one third of the exam points. You will use your own scantron form, which I will rubber stamp.
- The very important astronomer who was assistant to Tycho Brahe was; 42-43
- The Law of Universal Gravitation is precisely calculated by: 45
- The correct view of the circulation of blood in the body is due to the work of: 46-47
- The very important court painter for Charles I was: 30-31
- The Restrained Baroque, as an artistic style/movement, was founded by: 25
- The greatest artist of the Dutch Baroque is: 25
- The first of what can be called ‘world wars’ was: 9
- The French ruler considered the greatest of the absolute monarchs was: 5,6,7
- England’s outstanding contribution to baroque literature was made by: 33
- Which philosopher claimed “that it was impossible to trace the idea of God back to sense data”? 249
- France’s greatest contribution to baroque literature was : 32
- The Rococo interior often featured “fanciful stucco ornaments” called; 75-76
- The philosopher who is famed for explicating the “problem of induction” is: 245-
- The finest composer of baroque music in Italy (after 1750) is: 35-36
- The Leviathan is the title of the very important work of political philosophy written by: 51-53
- The Rococo artist who specialized in fetes galantes is: 73-74
- What instrument was called the “perfect instrument for rococo music”? 88
- The philosopher whose “most influential contributions to Western philosophy were skepticism and a dualistic theory of knowledge” is: 49
- The “most important literary development in England during the Age of reason was the rise of: 87
- What musical form is said to be “One cornerstone of baroque music”? 107
- The group known as the Cameratais said to have prepared the way for what baroque musical form? 114
- The “earliest operatic masterpiece” is composed by: 116
- The person called “the greatest of English composers” is: 119
- The “Messiah” was composed by: 139
- “The Four Seasons” is by: 123
- The “favorite artist” of Pope Urban VIII was the noted architect, sculptor and artist: 151
- The architect “generally regarded as the greatest master of the German baroque” is: 169
- The philosopher who is described as developing what is now seen as “the first truly magnificentphilosophical system of the modern period” was: 200-
- The philosophical idea of “the evil demon” is associated importantly with the work of: 200-
- “Mechanistic determinism” is a term applied to the work of the philosopher: 227
- The philosophical term “tabula rasa” is central to the work of: 232
- Opera began to become a popular entertainment when? 35
- Baroque cosmology before the scientific revolution featured: 39-44
Part two, three essay questions, at 22 points each, for two thirds of the exam credit, based upon the Enlightenment Reader and class discussion/lecture. Because these essays comprise such a significant proportion of the total exam, they should be carefully thought out, make clear references to sources in the reader and to our class presentations, and be developed at length: a sentence or two is simply NOT an essay answer and will not suffice at all. You will use your own paper, which I will stamp before you begin writing.
- Our authors write at great length about the idea of progress. Why and how do they do this? What is the nature of this progress of which they write? What are the implications of progress? Do NOT neglect to deal with Francis Bacon in your answer.
- Our authors write extensively about the relationships between religious bodies and the civil authorities/ state. What do they propose, and what is their proposed course of action clearly in opposition to (historically and as we noted in class, currently)? It would be very good to reference Voltaire in this essay.
- Our authors often propose a version of religious belief not identical to Christianity, but not denying the existence of God. How does this work, upon what is it based, and what do the authors see as an outcome of this variety of religious belief? References to Newton and Voltaire are not optional.
The perfect instrument for rococo music
Last Updated on February 10, 2019 by EssayPro